Practically the entire material presented on the album was made without the aid of computers. They have been replaced by living people. People who in addition to mastery of the instruments used have one undeniable advantage - the heart. The idea ultimately failed, because the group even though one hundred percent English-language works much mess on the French hip-hop scene. My words supports the fact that after the album's release, they played over 300 concerts, being practically any major French curtain. In the interest to mention that the group even played a month ago in Warsaw.
Rapper timbre slightly reminds me of Talib Kweli. Technically and lyrically it is very good, and definitely what is most important - he finds himself completely in a lively and energetic whole, created by musicians. 'Imperial Pressure' is the subject of a unique and worthy of attention is due back in charge of the instruments and their sound French. The freshness and energy that is stuffed material would be impossible to achieve if they deprive him of the acoustic background. Featured on the album primers freely moving away from raw hip-hop sounds and oscillate mainly in the funk-jazz bujających climates, recalling to mind the seventies. On some numbers the musicians quite cleverly verge of a species such as rock or electro.
'Imperial Pressure', the second solo project from the sign Beat Assailant is completely different from the debut. It is from him two hundred times better. Replacement of producer for a live orchestra gave work rapper imagination and originality. Frankly, it is this decision owes my attention. Very, very much like to see them live.
Track: Better Than Us
Video: fucked
Traklista:
- The Good News
- Better Than Us
- Trust Part I
- Trust, Part II
- Crash The Party
- Interlude
- Payback
- Charlie White
- Haterz
- 4080
- Didn"t call
- BA"s Back
- 4080 Part II
- Jump Out Boyz
- Play By The Rulez
- Be Still
- The Bad News
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